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Shakespeare's Theatres and the Effects of Performance (Arden Shakespeare) de Farah Karim-Cooper,Tiffany Stern

Descripción - Críticas The volume is a useful touchstone for scholars working on the senses, as well as being an authoritative introduction to the possible reception of the plays in early modern theatres -- Johann Gregory, University of East Anglia, UK * Notes and Queries * This collection's successful three-part structure ... investigates the fabric of early modern theatre-houses, the technologies of staging bodies and drama's evocation of the senses. The wonderfully diverse range of subjects brings this all to life. -- Eleanor Decamp * Around the Globe * With the opening of another reconstructed (or 'reimagined') early modern theatre in the Sam Wanamaker playhouse, and continued experimentation around the performance and practice of early modern drama more generally, this is a timely and thought-provoking volume about how the companies enacted and produced theatrical effects... -- Eoin Price, Eleanor Collins, Helen F. Smith, Chloe Preedy And Jem Bloomfield * Year's Work in English Studies * All the essays in this collection heighten our perception of the differences between early modern and contemporary theatrical spaces, conventions, and cultures. They provide an insightful account of early modern theater that both facilitates and complicates attempts to recreate early modern plays in the spirit and practice of their Elizabethan counterparts. * Shakespeare Newsletter * Reseña del editor How did Elizabethan and Jacobean acting companies create their visual and aural effects? What materials were available to them and how did they influence staging and writing? What impact did the sensations of theatre have on early modern audiences? How did the construction of the playhouses contribute to technological innovations in the theatre? What effect might these innovations have had on the writing of plays? Shakespeare's Theatres and The Effects of Performance is a landmark collection of essays by leading international scholars addressing these and other questions to create a unique and comprehensive overview of the practicalities and realities of the theatre in the early modern period. Biografía del autor Farah Karim-Cooper is Head of Research at Shakespeare's Globe, London, UK and the author of several critical studies focussing on performance. Tiffany Stern is Beaverbrook and Bouverie Fellow and Tutor in English, University College, Oxford, UK. She is a General Editor of the New Mermaids series and the author of several critical studies. Contributors include: Andrew Gurr, Gwilym Jones (Queen Mary, University of London), Nathalie Rivere de Carles (University of Toulouse), Lucy Munro (University of Keele), Andrea Stevens (University of Illinois), Bridget Escolme (Queen Mary, University of London), Paul Menzer (Mary Baldwin College), Bruce Smith (University of Southern California), Holly Dugan (George Washington University), Evelyn Tribble (University of Otago)

Detalles del Libro

  • Name: Shakespeare's Theatres and the Effects of Performance (Arden Shakespeare)
  • Autor: Farah Karim-Cooper,Tiffany Stern
  • Categoria: Libros,Literatura y ficción,Historia, teoría literaria y crítica
  • Tamaño del archivo: 11 MB
  • Tipos de archivo: PDF Document
  • Descargada: 253 times
  • Idioma: Español
  • Archivos de estado: AVAILABLE


LIBRO Shakespeare's Theatres and the Effects of Performance (Arden Shakespeare) de Farah Karim-Cooper,Tiffany Stern PDF ePub

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