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Descripción - CrĆticas 'Paul Crosthwaite engages deeply and thoughtfully with the fields of economics and economic history to produce a study that is genuinely interdisciplinary in scope. The book reconfigures economic concepts as formal strategies to great effect, generating highly original pairings and readings that are both insightful and persuasive. The book is superbly polished in its execution and a pleasure to read.' Janice Ho, University of Colorado'The Market Logics of Contemporary Fiction offers an original and stimulating account of the intersections among imaginative writing, literary publishing, and high finance in the post-1970 period. Dealing with an array of prominent British and American novelists, and contributing substantially to debates in the new economic criticism, Paul Crosthwaite's book represents a major scholarly achievement. It should be read by anyone interested in the economic contexts and content of postmodern writing and should play a substantial role in reshaping the teaching of contemporary literature to new generations of students. I will recommend this book to my own students as a must-read account of the last few decades in fiction.' Adam Kelly, University of York ReseƱa del editor In the twenty-first century, leading publishers are under intense pressure from their conglomerate owners and shareholders to generate growth and profits. This book shows how these pressures have transformed the contemporary novel. Paul Crosthwaite argues that recent British and American authors have internalized the market logics of the financial sector and book trade, resulting in the production of works of 'market metafiction' in which authors reflect obsessively on their writing's positioning in the literary marketplace. The Market Logics of Contemporary Fiction reveals the entanglement of fictional narrative and market dynamics to be the central phenomenon of contemporary literary culture. It engages with work by key authors including Iain Sinclair, Don DeLillo, Kathy Acker, Bret Easton Ellis, Chris Kraus, Percival Everett, David Foster Wallace, Colson Whitehead, Anne Billson, Hari Kunzru, Barbara Browning, Teju Cole, Ben Lerner, Tao Lin, Nell Zink, Joshua Cohen, Sheila Heti, and Garth Risk Hallberg. Descripción del libro This book shows how interrelated shifts in the global financial system and the global publishing industry have transformed the production of contemporary fiction in Britain and the USA. It will appeal to graduate students and researchers working in twenty-first-century literary studies, especially scholars of contemporary British and American fiction. BiografĆa del autor Paul Crosthwaite is a Senior Lecturer in the Department of English Literature at the University of Edinburgh.
Cambridge studies in twentyfirstcentury literature and about cambridge studies in twentyfirstcentury literature and culture visit as the cultural environment of the twentyfirst century comes into clearer focus cambridge studies in twentyfirst century literature and culture presents a series of monographs that undertakes the most penetrating and rigorous analysis of contemporary culture and thought
The market logics of contemporary fiction cambridge core the market logics of contemporary fiction offers an original and stimulating account of the intersections among imaginative writing literary publishing and high finance in the post1970 period dealing with an array of prominent british and american novelists and contributing substantially to debates in the new economic criticism paul crosthwaites book represents a major scholarly
The market logics of contemporary fiction edinburgh this book shows how these pressures have transformed the contemporary novel paul crosthwaite argues that recent british and american authors have internalized the market logics of the financial sector and book trade resulting in the production of works of market metafiction in which authors reflect obsessively on their writings positioning in the literary marketplace
The market logics of contemporary fiction book 2019 get this from a library the market logics of contemporary fiction paul crosthwaite in the twentyfirst century leading publishers are under intense pressure from their conglomerate owners and shareholders to generate growth and profits this book shows how these pressures have
New book market logics of contemporary fiction the market logics of contemporary fiction paul crosthwaite cambridge university press 2019 in the twentyfirst century leading publishers are under intense pressure from their conglomerate owners and shareholders to generate growth and profits
List of issues critique studies in contemporary fiction accept we use cookies to improve your website experience to learn about our use of cookies and how you can manage your cookie settings please see our cookie policy by closing this message you are consenting to our use of cookies
Twenty first century fiction cambridge university press time in the twentyfirst century in contemporary literature and part of chapter 3 appeared in c21 literature as b etween human and animal realism and species indeterminacy in j m coetzees late fiction i am also grateful to patricia piccinini for granting permission to reproduce an
Paul crosthwaite the university of edinburgh over the past decade his work has focused on the multiple modern and contemporary intersections between literature culture and economics his book the market logics of contemporary fiction in cambridge university presss studies in twentyfirstcentury literature and culture series shows how contemporary british and american authors have internalized the market logics of the financial
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